Stop thinking about art works as objects, and start thinking about them as triggers for experiences. (Roy Ascott’s phrase.) That solves a lot of problems: we don’t have to argue whether photographs are art, or whether performances are art, or whether Carl Andre’s bricks or Andrew Serranos’s piss or Little Richard’s ‘Long Tall Sally’ are art, because we say, ‘Art is something that happens, a process, not a quality, and all sorts of things can make it happen.’ … [W]hat makes a work of art ‘good’ for you is not something that is already ‘inside’ it, but something that happens inside you — so the value of the work lies in the degree to which it can help you have the kind of experience that you call art.
—
Brian Eno (via jessiethatcher)
I could reblog/post this every day as a constant reminder.
(via notational)
And I’m sticking it up here for people who define the “good” in Make good art in ways that I definitely didn’t intend…
(via neil-gaiman)
Bill Murray on Gilda Radner:
“Gilda got married and went away. None of us saw her anymore. There was one good thing: Laraine had a party one night, a great party at her house. And I ended up being the disk jockey. She just had forty-fives, and not that many, so you really had to work the music end of it. There was a collection of like the funniest people in the world at this party. Somehow Sam Kinison sticks in my brain. The whole Monty Python group was there, most of us from the show, a lot of other funny people, and Gilda. Gilda showed up and she’d already had cancer and gone into remission and then had it again, I guess. Anyway she was slim. We hadn’t seen her in a long time. And she started doing, “I’ve got to go,” and she was just going to leave, and I was like, “Going to leave?” It felt like she was going to really leave forever.
So we started carrying her around, in a way that we could only do with her. We carried her up and down the stairs, around the house, repeatedly, for a long time, until I was exhausted. Then Danny did it for a while. Then I did it again. We just kept carrying her; we did it in teams. We kept carrying her around, but like upside down, every which way—over your shoulder and under your arm, carrying her like luggage. And that went on for more than an hour—maybe an hour and a half—just carrying her around and saying, “She’s leaving! This could be it! Now come on, this could be the last time we see her. Gilda’s leaving, and remember that she was very sick—hello?”
We worked all aspects of it, but it started with just, “She’s leaving, I don’t know if you’ve said good-bye to her.” And we said good-bye to the same people ten, twenty times, you know.
And because these people were really funny, every person we’d drag her up to would just do like five minutes on her, with Gilda upside down in this sort of tortured position, which she absolutely loved. She was laughing so hard we could have lost her right then and there.
It was just one of the best parties I’ve ever been to in my life. I’ll always remember it. It was the last time I saw her.”- from Live from New York: an Uncensored History of Saturday Night Live
“We’ve done the impossible, and that makes us mighty.” Captain Mal, Firefly/Serenity
Don't Try: My Father's Horniness
My father, Dave Robert Shepard Sr., died on either December 30th or December 31st, depending on what time zone you were in. I received the call on the 30th at 11:30PM in Los Angeles, but the caller, positioned in Detroit, was two hours deep into the 31st. He was dead at 62 years old. Small cell…
I used to think I was the strangest person in the world but then I thought there are so many people in the world, there must be someone just like me who feels bizarre and flawed in the same ways I do. I would imagine her, and imagine that she must be out there thinking of me too. Well, I hope that if you are out there and read this and know that, yes, it’s true I’m here, and I’m just as strange as you.Song: “Everybody Hurts” by Patti Smith
A past TEDxSeochoLive event in South KoreaWhich One Are You? demo sketch from the BQE, circa 2007/2008? weird rubbish you find on old hard drives.
Somewhere along the line, you changed. You stopped being you. You let people stick a finger in your face and tell you you’re no good. And when things got hard, you started looking for something to blame, like a big shadow. Let me tell you something you already know. The world ain’t all sunshine and rainbows. It’s a very mean and nasty place and I don’t care how tough you are it will beat you to your knees and keep you there permanently if you let it. You, me, or nobody is gonna hit as hard as life. But it ain’t about how hard ya hit. It’s about how hard you can get it and keep moving forward. How much you can take and keep moving forward. That’s how winning is done! Now if you know what you’re worth then go out and get what you’re worth. But ya gotta be willing to take the hits, and not pointing fingers saying you ain’t where you wanna be because of him, or her, or anybody! Cowards do that and that ain’t you! You’re better than that!
— Rocky Balboa (2006)
(Source: killthepavement)
Texts are secrets. They’re little mementos of inclusion and excitement you can read over and over. They’re letters, journal entries, notes passed in class. Because we like to hold onto words that mean something to us. We like re-read and remember and re-live that moment when he said, “I miss you,” or even just “Merry Christmas” because you know they mean the same thing…And when I text my best friend, “He texted me! ” and she replies, “Yay!”, we’re not a generation lost staring at screens. We’re in corsets being handed scrolls sealed with his coat-of-arms. We’re in sundresses waiting for the postman to drop his letter. We’re on swing sets hoping to circle ‘yes’ or ‘no.’ We’re a million starry eyes still staring at the same starry skies with fingers crossed and hopes high.
— DateByNumbers No Texting, No Exceptions on CollegeCandy (via datebynumbers)
